Enter . He is young here, a field agent at the time. He arrives at the scene with his team. While the official investigation points to a random act of militancy, Himmat notices a detail that others miss: the explosive signature. It is not local. It is "RDX with a foreign ester." This is industrial-grade, high-sophistication explosive—the kind used by state actors.
This six-minute prologue establishes the show’s central thesis: The 20-Year Hunt: Introducing the "Person of Interest" The episode then performs a masterful time jump. We move to 2018 . Himmat Singh is no longer a field agent. He is now a grizzled, overlooked Joint Secretary in the Research and Analysis Wing (RAW). His office is cluttered, his reputation is in tatters, and his superiors want him to retire.
He sends Colonel Farooq to intercept the courier. The scene that follows is a lesson in low-budget, high-tension action. There are no explosions or car chases. Instead, we watch Farooq blend into a crowded market, identify the courier, and silently pick his pocket to steal a USB drive. Special OPS Season 1 - Episode 1
Himmat watches the news feed. Then, he pulls up an old black-and-white surveillance photo. He points to a man in the crowd—a man who looks like a random spectator. He tells his boss: “He is there. He is always there. He watches his work.”
★★★★½ (4.5/5)
When the data is decrypted back in Delhi, Himmat finally has a face. The laptop contains a single image: a photograph of a man in his 50s, with hard eyes, standing in front of a European landmark.
Himmat whispers the name that will drive the rest of the season: Cinematography and Sound Design: Building the Mood What makes Special OPS Episode 1 stand out is its refusal to look like a TV show. Cinematographer Arvind Singh uses a cold, desaturated color palette. The scenes in Kashmir are grey and bleak. The RAW office is lit with harsh fluorescent lights, making it feel like a tomb. Even the action scenes are framed with a documentary-style realism. While the official investigation points to a random
Kay Kay Menon delivers a career-best performance here. His Himmat Singh is not a superhero. He is tired. His eyes are baggy. His shirt is always wrinkled. He yells at his subordinates because he cares too much. He is the closest Indian cinema has come to crafting a character on the level of The Americans ' Philip Jennings or Homeland 's Carrie Mathison.