Fucking Possible Comic Best May 2026

Jimmy says nothing. The next panel is a close-up of his hand. Trembling. Holding a paper cup.

It’s cold. Brilliant, yes. Surgical, absolutely. But emotional? The scene where Rorschach is arrested? Great. Heartbreaking? Not really. Watchmen is a masterpiece of intellect, but the “fucking possible best” needs a pulse. Maus (Art Spiegelman) The case for: It won the Pulitzer Prize. It made Nazis into cats and Jews into mice without reducing the horror. It broke the rule that comics couldn’t be “serious literature.”

The ending is famously scrambled. The manga outstrips the film, but the final volume feels like Otomo got tired. A comic that stumbles at the finish line cannot claim the throne. The Winner: Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware Here’s where you say: “What the fuck? A sad, lonely, red-haired dweeb in a tiny bowtie? Over Watchmen ? Over Maus ?” fucking possible comic best

That’s it. No explosion. No confession. Just a cup and a tremor. It’s the saddest thing I’ve ever seen in any medium. Fucking possible comic best means making sadness feel physical. The first time, you read for plot: a pathetic man meets his grandfather and father, fails to connect, and returns to his empty apartment.

The third time, you realize Jimmy Corrigan is actually a comedy. A bleak, cringe-comedy about a man so passive he makes Charlie Brown look like Tony Robbins. Ware hides jokes in the margins. A sign that says “FREE ADVICE (worth every penny).” A child’s drawing labeled “My Dad” that’s just an empty square. Jimmy says nothing

He also introduced the “silent splash page” as emotional devastation. There’s a four-page sequence where Jimmy walks to a phone booth. No dialogue. Just his tiny figure against massive, empty cityscapes. It’s boring if you’re impatient. It’s nuclear if you’re paying attention. The scene: Jimmy finally meets the father who abandoned him. An old, frail man in a nursing home. They don’t hug. They don’t even talk about the past. They just sit. Then Jimmy’s father says, “I used to dream about you. I dreamed you were a little boy. And I was a good father.”

It’s the most disturbing, genius, psychopathic move in comics history. He turns trauma into a craft project . He forces you to participate. That is the “fuck” factor at its purest. So. Is it fucking possible to pick the comic best? Holding a paper cup

But let’s be honest: Every comic reader has had that 2 a.m. argument. The one where voices rise, beer bottles become gesticulating weapons, and someone eventually shouts,