Try it for free and see how you can learn how to distinguish
With every purchase in
Try it for free and see how you can learn how to distinguish
With every purchase in
The Baby Language app teaches you the ability to distinguish different types of baby cries yourself. It comes with a support tool to help you in the first period when learning to distinguish baby cries. It points you in the right direction by real-time distinguishing baby cries and translating them into understandable language.
The Baby Language app shows you many different ways on how to handle each specific cry. It provides you with lots of information and illustrations on how to prevent or reduce all different kind of cries.
In the world of typography, the difference between a good project and a great one often comes down to the invisible decisions: spacing, weight distribution, and legibility under stress. For years, designers have relied on the original Bliss family — a humanist sans-serif praised for its friendly geometry and British charm. However, as design contexts have shifted from print-first to browser-first, the original Bliss began to show its age.
Bliss 2 finds the "Goldilocks zone." Tankard refined the terminals (the ends of strokes) to be less abrupt. The diagonal stress in the ‘o’ and ‘p’ is more pronounced, giving the typeface a rhythmic flow that most modern neo-grotesques lack.
The new family includes a staggering range of weights: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black—each with true-drawn italics.
Founder and Developer
UI/UX Designer
Dutch translator
and coordinator
Webdesigner bliss 2 font family better
Spanish translator
French translator
Italian translator In the world of typography, the difference between
German translator
Indonesian translator
Portuguese translator Bliss 2 finds the "Goldilocks zone
Russian translator
3D Graphic artist
Arabic translator
In the world of typography, the difference between a good project and a great one often comes down to the invisible decisions: spacing, weight distribution, and legibility under stress. For years, designers have relied on the original Bliss family — a humanist sans-serif praised for its friendly geometry and British charm. However, as design contexts have shifted from print-first to browser-first, the original Bliss began to show its age.
Bliss 2 finds the "Goldilocks zone." Tankard refined the terminals (the ends of strokes) to be less abrupt. The diagonal stress in the ‘o’ and ‘p’ is more pronounced, giving the typeface a rhythmic flow that most modern neo-grotesques lack.
The new family includes a staggering range of weights: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black—each with true-drawn italics.